Abstract
This article focuses on events surrounding the third season of Indian Idol in order to assess the changing relationship between television, everyday life, and public political discourse in contemporary India. In the summer of 2007, media coverage of Indian Idol focused on how people in Northeast India cast aside decades-old separatist identities to mobilize support for Amit Paul and Prashant Tamang, the two finalists from the region. Situating this media phenomenon in relation to the changing landscape of Indian television and the socio-historical context of ethno-national politics in Northeast India, I explore how reality television, combined with mobile media technologies and practices, has enabled new modes of cultural and political expression. Positing the notion of “mobile publics,” I argue that participatory cultures surrounding television create possibilities for the renewal of everyday forms of interaction in public settings that may have been forgotten, subdued, or made impossible under certain political circumstances.
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