Reality television and the politics of mass surveillance in channel 4’s Hunted

Abstract

This paper is interested in representations of mass surveillance in Hunted, Channel 4’s reality tv series in which ‘ordinary British citizens’ roleplay as ‘fugitives’ that must evade surveillance and capture by ‘the state.’ Here contentious powers of state surveillance are mitigated by (a) the programme’s deployment of a myth of surveillance ‘symmetry’ and a ‘fugitive fantasy’ that obfuscate the racial politics of ‘being watched’ in a post-9/11 climate; (b) personal stories of contestants or ‘fugitives’ that enable a ‘therapeutic self’ that situates the mass surveillance experience as productive and transformative; and (c) the ‘gamification’ of surveillance itself.