Abstract

When modern (Western) viewers look at ancient art, the first feature of the image that is often assessed is its relationship to ‘reality’. How ‘real’ the image looks is inextricably linked to its evaluation and therefore the viewer’s estimation of its quality. The more ‘realistic’ an image is deemed, the more it is appreciated for its historic and aesthetic value. This fixation on reality has often affected the assessment of ancient imagery. It can create a bias that limits the researcher’s ability to analyse and interpret the image(s) to their full potential. When studying ancient images, the viewer should always keep in mind its original purpose. Rather than looking for reality through the notion of resemblance, the degree of reality should instead be assessed through the way the subject is being conveyed as the image’s purpose dictates its appearance. This article will use depictions of the horse in ancient Egyptian and Greek art to highlight some of the challenges one encounters when studying ancient images’ relationship with reality. It will show why it is important for scholars to focus on the image/object’s purpose, their resemblance to their subject, and their meaning in terms of the message(s) they are meant to convey.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call