Realism and Illusion in Tennessee Williams’ Plays

Abstract

This diploma paper examines realism and illusion in modern drama, particularly in Tennessee Williams’ plays, A Streetcar Named Desire and The Glass Menagerie. It explores the influence and importance of these themes in shaping modern literature, evolving from traditional dramatic structures to enrich storytelling. The paper provides an overview of Williams’ life and his distinctive style. Through a close analysis of the selected plays, it delves into the complexities of the characters, their desires, fears, and struggles in navigating truth and illusion. Additionally, the study explores the symbiotic relationship between realism, illusion, and the theatrical techniques employed by Williams. The primary objective of this study is to unveil the profound influence and immense significance of realism and illusion in shaping the landscape of modern literature. Throughout the history of dramatic storytelling, these themes have undergone a remarkable evolution, breaking free from the constraints of conventional dramatic structures to find liberation and prominence in the realm of modernity. As a result, playwrights have been able to explore the complexities of human existence and society more deeply, crafting narratives that touch the core of the human psyche.