Abstract
This article focuses on the dance drama Deep in Memory, which is adapted from the real historical event of the Nanjing Massacre. The author pays attention to three layers, one is the real historical events of the Nanjing Massacre, the English works of the Nanjing Massacre, the Nanjing Massacre: the forgotten catastrophe in the Second World War, and the director of the historical events of the Nanjing Massacre and the Nanjing Massacre: the forgotten catastrophe in the Second World War. Through these three levels of transformation, real memory discusses the contradiction between history and art, which involves the realistic technique of realistic dance drama; narrative memory focuses more in the internal research of art, and discusses the space, structure and form analysis of the two dance dramas; Warm memory shows the attitude of the author s through the works, showing the humanistic care and compassion.
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