Abstract
ABSTRACT This article reads Margaret Atwood’s Alias Grace (1996) alongside Eve Kosofsky Sedgwick’s formulation of paranoid and reparative readings. Focusing on the dynamic between time and affect in Sedgwick, something that is strikingly missing in contemporary debates about critique and post-critique, I examine the affective, temporal and political registers of paranoid and reparative styles of reading and demonstrate how Sedgwick’s work exceeds the post-critique approaches it informs. I then move to a discussion about the reading positions offered by Alias Grace including suspicious reading and empathetic engagement. Positioning Alias Grace as a parallel text to Sedgwick’s, I argue that revisiting Atwood’s novel in the context of the post-critique movement not only helps to restore the politics informing Sedgwick’s theory but also contributes to the ongoing discussion about the politics of reading.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
