Reading the “Slash” in Percival Everett’s American Desert

Abstract

This article explores Percival Everett’s multi-dimensional use of a concept he has termed the “slash” (i.e., the line that both separates and conjoins signifier/signified) in his novel American Desert. In effect, this slash is a trope Everett deploys to compel readers not to align themselves with what might otherwise be perceived as the author’s message but rather to explore a wide range of the possible ideas and provisional meanings his fiction might generate, challenge these perceived meanings, constructively play with his text, and eventually tease out some (inevitably contingent) concepts that may, upon further consideration, morph into newer, richer sets of understanding. Although Everett’s use of the slash is not unique to American Desert, it is arguably the novel in which he uses the trope most pervasively.