Abstract

The 2001 Tamil novel Mmm (translated as Traitor in English) by Shobasakthi traverses spaces that are not often covered in contemporary Sri Lankan fiction. Set against the background of Tamil separatist movements of the late 1970s to the mid-1980s, the novel blends tales of caste and class oppression, while alternating between first- and third-person narrations. Traitor centres on a Sri Lankan Tamil militant, Nesakumaran, who flees to France as a refugee, and is eventually murdered, after being charged with the rape of his own child, Nirami. The novel showcases the breakdown of Nesakumaran’s self, as well as his familial and communal relationships, and reflects these dissolutions in the fragmentation of the narrative. This article argues that the narrative fragmentation of Traitor corresponds to the unnarratability of the violence that the novel tries to depict and illustrates the many fissures that are embedded within the rubric of Tamil nationalism. The novel depicts Sri Lankan Tamil nationalism as a more complicated concept than is conventionally assumed, a heterogeneous discourse marked by distinctions of class, caste, and gender. By wrestling with conflicts that are internal to the Tamil community, Traitor illustrates how Sri Lankan Tamil literature envisions the national space of Sri Lanka as merely a site on which to mourn the lack of an ethnic, Tamil solidarity.

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