Abstract
Our paper explores the white supremacist movement's reliance upon the western genre to construct white masculinity. We argue that white supremacist discourse rearticulates both the narrative form and content of the classic western. We first examine the formal and substantive themes of the classic western, and then analyze the publications of a wide variety of contemporary white supremacist organizations, including Klan, neo-Nazi, and Christian Identity groups. We argue that white supremacist discourse draws upon the western genre, and its particular construction of white masculinity, to rearticulate and rationalize race and gender inequality and encourage readers to identify with the values and goals of the white supremacist movement.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
