Abstract
This study focused on the identity and proficiency of the profession of architecture via characters of “architect”, “student of architecture” and “having ambition to become an architect” in various films. Conclusions have been drawn about the professional applications and architectural life from the cinematographic level regarding the architect characters and their jobs via the seven films and a total of eleven different architect characters studied. This study aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? New conclusions have been drawn, via a total of eleven different characters of architects in seven films, about architects and architects’ job from the cinematographic level to Professional practiceand architectural life.
Highlights
Interactions between the cinema and architecture have been investigated in the relevant literature many times from different perspectives because these two disciplines have taught each other new ways of seeing and producing
The interaction between the cinema and architecture can be regarded as a point of intersection where films play a role in the formation of architectural circles and in the inclusion of these circles in people’s lives
The text aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? The reason why this article was penned is that today the profession of architecture as a concept is gradually losing ground in professional applications and social status
Summary
Interactions between the cinema and architecture have been investigated in the relevant literature many times from different perspectives because these two disciplines have taught each other new ways of seeing and producing. The architects in the film make Keating, is Roak’s classmate and exact opposite, who uses designs, implement projects and architecture as a tool for earning money and fame, lacks sometimes submit project proposals for talent but is successful as he is ready to make concessions. The fact that Ariadne, a character in the architecture, Ariadne, undertakes the job of designing the film Inception is a young woman with a spaces of layers of dreams. The house has a special significance who can add love to architecture in his for Alex This building was designed in Alex’s happier days thinking; his brother on the other hand, by his father, a famous architect, who sacrificed at the thinks reasonably and reflects this in expense of his professional success. Truman wants to escape and get in touch with reality and leaves the stage for freedom bowing to the audiences, facing his biggest fears and risking death
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