Abstract
Chapter 1: J. M. Coetzee and the Woman Question -- Chapter 2: He and his Woman: Passing Performances and Coetzee’s Dialogic Drag -- Chapter 3: Molly Bloom and Elizabeth Costello: Coetzee’s Female Characters and the Limits of the Sympathetic Imagination -- Chapter 4: ‘A New Footing’: Re-Reading the Barbarian Girl in J. M. Coetzee’s Waiting for the Barbarians -- Chapter 5: Art and the Female in Youth: Between Joyce and Beckett -- Chapter 6: ‘Beauty does not own itself’: Coetzee’s Feminist Critique of Platonic and Kantian Aesthetics -- Chapter 7: J. M. Coetzee and the Women of the Canon -- Chapter 8: Robinsonaden in the Feminine? Coetzee’s Foe and Muriel Spark’s Robinson -- Chapter 9: The Fixation on the Womb and the Ambiguity of the Mother in Life & Times of Michael K -- Chapter 10: ‘God knows whether there is a Dulcinea in this world or not’: Idealised Passion and Undecidable Desire in J. M. Coetzee -- Chapter 11: Seeing where others see nothing: Coetzee’s Magda, Cassandra in the Karoo -- Chapter 12: Reading Coetzee Expectantly: From Magda to Lucy -- Chapter 13: Women’s Knowledge and Women’s Frank Speech in J. M. Coetzee’s Summertime -- Chapter 14: On beyond the representational binary: Coetzee (and the women) take wing.
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