Abstract
The purpose of this paper is to examine the history of Cleopatra VII, as well as how and why she wanted to be depicted in a certain manner with respect to visual art. As the last noble of the Ptolemaic Dynasty, her images communicate her political abilities, her religious fervor, her maternal obligations and obstinacy in perpetuating royal lineage, and her direct connection to ancient Egyptian gods. Additionally, by consummating relationships with two of the most powerful men in ancient Roman history (Julius Caesar and Mark Antony), she was able to cultivate her skills as an influential pharaoh, equal to that of her male counterparts, and solidify her status as pharaoh. In exploring the multicultural facets of her images, I argue that not only did they not function solely as objects of aesthetic pleasure, they also appealed to a broad audience so as to communicate her level of influence as recognized not only in Egypt, but throughout the Mediterranean world.
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