Abstract

Archaeologists have pointed to certain architectural or decorative designs as representing “elite styles” that mark status distinctions. We look at one such style—Dogoszhi—that was applied to several pottery wares across the Chaco World of the northern Southwest. Using a large database of ceramics, we test whether this style comprised an elite style or whether it signaled participation in a broader Chaco social network. We compare the distribution of Dogoszhi style to measures of settlement importance, including site size and network centrality, and we investigate whether this style occurs differentially at Chacoan great houses as opposed to small houses, or by subregion. We also compare its spatial distribution to an earlier style, called Black Mesa style, similarly applied to a number of different wares. Our results indicate that both styles were consistently distributed within Chaco communities (whether great houses or small houses) but variably distributed across subareas and most measures of settlement importance. We conclude that Dogoszhi style was used to mark membership in social networks that cross-cut great house communities, a pattern more typical of heterarchical rather than hierarchical social structures. Such variation questions the uniform category of “elites” and points to the ways that representational diversity may be used to interpret different regional histories and alliances.

Highlights

  • Archaeologists have pointed to certain architectural or decorative designs as representing “elite styles” that mark status distinctions

  • The pattern we find within Chacoan outlier communities, contrasts somewhat with the pattern we observe at the regional scale, in that the largest great houses (“Large” and “Very Large” sites) have higher-than-average frequencies of Dogoszhi-style ceramics

  • On the basis of this analysis, we find only partial evidence supporting the proposition that Dogoszhi-style ceramics may have acted as markers of regional-scale community identity in the same way or at the same scale as Chacoan architectural features

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Summary

Introduction

Archaeologists have pointed to certain architectural or decorative designs as representing “elite styles” that mark status distinctions. As Neitzel (1995:399) notes in her study of style and hierarchy in the Chaco World, “The major obstacle to testing expectations about stylistic patterning within the Chacoan regional system is the incompleteness of the available data.” The development of the Chaco Social Networks (CSN) database is one step toward overcoming this obstacle, allowing for a larger-scale exploration of the distribution of both Dogoszhi-style and Black Mesa–style ceramics.

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