Abstract
Developing on 150 years of reviews and scholarship of Charles Sangster’s The St. Lawrence and the Saguenay, this paper contends that Sangster’s poem is not merely derivative of British and American Romantic poetry, or a vague tourist poem, but that Sangster employs the language and images of Christian pilgrimage to purposefully detail the pilgrimage of his soul.
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More From: Anglica. An International Journal of English Studies
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