Abstract
AbstractThe education and outreach departments that coordinate community and participation projects have become a ubiquitous component of opera houses in the UK over the last 40 years yet rarely do their productions appear on the main stage. This article considers recent projects run by Opera North, English National Opera, Opera Holland Park and Glyndebourne and asks whether opera houses are genuinely committed to connecting communities with opera or treat outreach as no more than a means of obtaining funding. The article explores the history of the development of outreach departments and the potential that community involvement offers as a revitalising force for the operatic artform. A series of interviews with opera professionals brings the debate up to date.
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