Abstract
This paper analyses two recent ghetto action movies: Dope (2015) and Straight Outta Compton (2015). It argues that in returning to the cinematic hood in 2015, it is necessary and logical to revisit literature surrounding Boyz N the Hood (1991) to assess if images of black women and girls have evolved in contemporary films. When the narrative is preoccupied with the black boys in the hood, are they still raised by their single black (angry) mothers and are young black women still left to question “Who you callin’ a hoe?” These questions will be answered through an examination of the representations of gender and race in all three films.
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