Abstract

In commemoration of the 45th year of their exile, 500 pieds-noirs and their families gathered in Toulouse, France in May 2007. During their meeting, the Amicale de Saïda viewed the film Saïda… On revient! sur les pas de notre enfance, which chronicles the return voyage of members of the community and their encounters with the places of their past. The amateur film provides a return to Algeria for the pieds-noirs who could not physically make the journey. While many buildings in the images were in ruins, the pieds-noirs did not view the present and experienced a return to somewhere other than what was filmed. Saïda… On revient! is one of numerous journeys to Algeria that have occurred in the past 50 years. Notable Algerian-born authors Albert Camus, Marie Cardinal, Leïla Sebbar, Jacques Derrida and Hélène Cixous have all participated in written and real returns to Algeria, and they all reflect on the ruins of Algeria that haunt them in their exile. By analysing the representation of real ruins in documented returns to Algeria, this article demonstrates how ruins of lost locations hold potential to ruin the stability of the past.

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