Abstract
This essay argues that Othello both reveals the work of genre in the formation of religious identities and enacts a debate about the uses of two competing ends of romance: to transform and to restore identity. As a Christian Moor, Othello is patterned after Ruggiero in Orlando Furioso , a romance in which religious conversion transforms a Moorish hero and thus allows him to be incorporated into Christendom. Iago, however, attempts to counteract this type of romance by using another tendency of the genre--to restore originary identity--in order to re-"turn" Othello to what is presumably his prior Muslim faith.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.