Abstract

This article aims to underline the artistic emergencies stemming from docu- mentation and filmic versions of the original choreographic work Rosas danst Rosas following the project´s different manifestations up to the interaction proposition RE:Rosas!, in order to show how these different materialities open up new spaces for creative dialogue and an opening unto fields of reception that go beyond the reduced circle of avant-garde contemporary dance.

Highlights

  • This article aims to underline the artistic emergencies stemming from documentation and filmic versions of the original choreographic work Rosas danst Rosas following the projects different manifestations up to the interaction proposition RE:Rosas!, in order to show how these different materialities open up new spaces for creative dialogue and an opening unto fields of reception that go beyond the reduced circle of avant-garde contemporary dance

  • De Keersmaeker construcción del movimiento a partir de la combinación de fragmentos que se ha descrito en detalle la partiacumulan en repeticiones pautadas sobre patrones numéricos, a veces inspirados en la música sobre la que trabaja, a veces en otras pautas de construcción geométrica1

  • Posibilita, como hace el fenómeno de la social dance-media, una circulación libre de la danza, pero reclama, sobre todo, un tiempo para pensar esa danza, la danza como forma de discurso y de pensamiento y, en este sentido, habilita un proceso epistémico que no forma parte de la circulación descontextualizada a partir de apropiaciones comerciales o virales

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Summary

Introduction

This article aims to underline the artistic emergencies stemming from documentation and filmic versions of the original choreographic work Rosas danst Rosas following the projects different manifestations up to the interaction proposition RE:Rosas!, in order to show how these different materialities open up new spaces for creative dialogue and an opening unto fields of reception that go beyond the reduced circle of avant-garde contemporary dance.

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Conclusion

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