Abstract
INTRODUCTION: Starting from et ego, a piece for classical guitar and electronics, this paper aims to introduce the notion of the interactive system as a tool to understand the musical activity developed by a composer and/or performer in relationship with an instrument and a score. OBJECTIVES: T
Highlights
Starting from et ego, a piece for classical guitar and electronics, this paper aims to introduce the notion of the interactive system as a tool to understand the musical activity developed by a composer and/or performer in relationship with an instrument and a score
Starting from et ego, a piece for classical guitar and electronics, this paper investigates the compositional process through the dynamics of an interactive system developed by a composer and/or performer in relationship with an instrument and a score
Before taking on completely the composer's perspective, moving to analyze the compositional process and the role of the score within the interactive system described above, it is worth taking into consideration the element of electronics, or live electronics, as in the case of et ego
Summary
Starting from et ego, a piece for classical guitar and electronics, this paper investigates the compositional process through the dynamics of an interactive system developed by a composer and/or performer in relationship with an instrument and a score. The equilibrium within this interactive system is affected by the introduction of an external technology, represented here by two piezoelectric. Extremely delicate sounds – together with the use of the electronics – enriches the vocabulary of sound material available within the compositional process. Its use will be considered as a tool to provide information through a shared code creating a certain contiguity between different agents of the system and as a means to represent different sonic images and to shape the whole compositional process
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