Abstract
Films significantly impact social consciousness as they have the power to shape opinions, influence perspectives, and contribute to cultural conversations. In shaping perceptions, films enable people to perceive certain issues, events, or groups of people from dissimilar viewpoints. This paper looks into the nuances of representation of Indian women in films, primarily in Hindi cinema, and how their portrayal differs when their identities are constructed by writers and directors of the opposite gender. It argues for an equitable position for representing women in cinema and highlights the role of intersectional relationships between race, class, sexuality, and ability for the same. With an emphasis on feminist film theory and its praxis, this paper traces the history of Indian cinematic renderings in giving agency to women in films and how the perspectives of women writers and directors seeps into their creations for a positive outcome, whereas the male centric industry hinders the proper portrayal of the lived experience. It finally advocates for an academic understanding of the lacunas that exist in the entire ecosystem and offers an expansive approach for devising actionable and sustainable solutions to the critical problem of representation.
Published Version (Free)
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: Knowledgeable Research: A Multidisciplinary Journal
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.