Abstract

This paper will extend work originally presented in Pertierra and Turner’s <em>Locating Television </em>(2013) to argue that the reasons for which the demise of television was prematurely assumed can be understood and corrected by critically examining the geopolitics of television scholarship. The spaces from which television has been taken seriously as a topic of investigation have enabled a neglect of empirical and theoretical research that genuinely engages with the ways in which television might be understood as variously surviving, growing, innovating and even leading the current and future global media landscapes. The paper offers two ways in which television scholars might productively re-locate their spheres of concentration to understand the diversity of television worlds today: 1) empirically, it considers the case of the Philippines where broadcast television is successful in ways that could only be dreamed of by television executives in the so-called ‘world centres’ of the global entertainment industry. 2) theoretically, the paper refers to complementary attempts in sociology, literary and cultural studies to offer alternatives to Europe and North America from which scholars might locate the vanguard for modernity, globalization and innovation. It is by engaging with both of these strands in concert—empirically investigating television beyond the ‘usual places’ in such a way that responds to the call of cultural theorists to question our very assumptions about where television studies’ ‘usual places’ should be, that more nuanced understandings, and fewer premature declarations, might be made about what television is, and where it is going.

Highlights

  • In recent years, growing numbers of media scholars, drawing from diverse examples around the world, have argued against the idea that the medium of television is in terminal decline

  • Even within the United States, it has increasingly been recognized that television remains enduring in some ways, while changed in others (Pertierra & Turner, 2013)

  • The new potential definitions of what television might today be, in some ways seem to have widened television’s presence and grasp across a greater number of spaces than before: television can be said to exist across multiple platforms and devices, it is accessed in multiple ways, sometimes simultaneously, at a wider range of times and across a greater proportion of the world than every before. Rather than rehearsing such debates, which have been discussed in my previous collaborations with Graeme Turner and are addressed in diverse ways across this special issue, this paper turns to consider whether there are ways in which television studies remains too

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Summary

Introduction

In recent years, growing numbers of media scholars, drawing from diverse examples around the world, have argued against the idea that the medium of television is in terminal decline. The example of the Philippines is proposed as a largely overlooked space in which broadcast television remains powerful, but in which new innovations for developing other platforms of television consumption are being successfully explored.

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