Re-imagining Time in the Midst of Crisis: From Sci Fi Thrillers and Zombie Flicks to Young People’s Lived Temporalities of COVID-19

Abstract

ABSTRACT Popular films often depict pandemics in apocalyptic ways, temporally portraying how day by day, fear increases as a virus takes over the world. The speed of transmission, alongside the virus’s seemingly unstoppable global spread, evoke a sense of being engulfed by the extraordinary, creating an experience of time characterised by feelings of intensity and fear, both on and off-screen. In contrast, the lived realities of young New Zealanders during the COVID-19 pandemic speak to a more elongated, ‘empty’ experience of time that lacks such intensity. Our interviews with New Zealand youth revealed their sense of time as ever-shifting, characterised occasionally by moments of fear and anxiety, but much more so by long hours of boredom and disturbing lack of structure, particularly during lockdowns. This paper draws on Bakhtin’s notion of the chronotope, alongside Bergson’s insights into lived experiences of time and Deleuze’s Cinema books, to compare the emotional temporalities of two leading science fiction pandemic films, ‘Contagion’ and ‘Outbreak’, and a range of popular zombie movies, to young New Zealanders’ lived experiences of multiple COVID-19 lockdowns. We consider how New Zealand youth (in our interviews, but also on social media) narrate their lived experiences of COVID-19 by drawing upon an ‘imaginative repertoire’ made up of sci fi films, zombie references and moral ideas of the self, which can help us to better understand how temporality is reshaped during a pandemic, particularly for young people.