(Re)Hibernicising Wilde? A genetic analysis of The Picture of Dorian Gray

Abstract

The controversy surrounding the integrity and originality of Harvard University Press’s unexpurgated version of Wilde’s The Picture of Dorian Gray in 2011 has underlined the timeliness and necessity of further genetic critique of Wilde’s only novel and attendant ephemera. By undertaking a genetic reading of the three versions of this text now available to us, this article examines how Wilde’s letters, poetry, lectures and reviews that precede the novel reveal an intensification of Wilde’s nationalism and anti-imperialism in the run-up to its publication. In particular, the article uncovers the differing impact of the Parnell scandal and the Land Wars on the different versions of the novel and also reads the abject scenes of imperial predation set in the London docks as Wilde’s meditation on Ireland’s contested colonial status within the UK and the global system of exploitation driving “The Great Game” of Empire per se.