Abstract
The premiere of Hannah Khalil’s A Museum in Baghdad (2019) marks a critical juncture in the history of contemporary British drama. The play is informed by a decolonial dynamic, a longue durée vision, and an evental mode of memory; and renders the museum as a multivalent allegorical space. The complicities of culture, imperialism, and resource extractivism are revealed.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have