Abstract

In the context of the development of ethnological science in the first quarter of the 20th century, the article exa-mines the current and still relevant methods of ethnographic research on the example of the scientific work and creativity of the Ukrainian artist-ethnographer Yu. Pavlovych. His legacy includes tens of thousands of sketches of the monuments of the ethnic culture of the Ukrainian and other peoples, and includes original scientific publications. The research interests of the ethnographer were formed as a result of his acquaintance with the works of the leading Ukrainian scientists P. Chubynsky, F. Volkov and V. Antonovych. Since the time of Yu. Pavlovich’s work in the Cabinet of Anthropology and Ethnology of the Academy of Sciences of Ukraine named after F. Volkov, his ethnological activity acquired consistency and was regulated by the ethnographic scientific projects of this institution. According to these programs, the scientist participated in monographic studies of settlements, successfully mapped the phenomena of material culture and carried out field ethnographic research.

Highlights

  • The research interests of the ethnographer were formed as a result of his acquaintance with the works of the leading Ukrainian scientists P

  • The scientist participated in monographic studies of settlements, successfully mapped the phenomena of material culture and carried out field ethnographic research

  • При подготовке работы были использованы многочисленные рисунки и материалы художника из АНФРФ ИИФЭ

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Summary

Introduction

Павловича в Кабинете антропологии и этнологии им. Ф. Волкова Академии наук Украины (столетие со дня основания которого отмечается в 2021 г.) в данной статье рассматриваются на примере более чем пятидесятилетней научной и художественной деятельности сотрудника этого учреждения, ISSN: 1857-2049 Павловича как художника-этнографа в петербургский период его жизни оказало личное знакомство с учеными-народоведами, работавшими в системе Российской академии наук под руководством Ф.

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