Abstract
The several boundlessly shattered pages of “Story” by Edmond Jabes introduce one of his most embittered ideas. It is namely the acknowledgement of the impossibility of writing „precisely” a story through the separation of a couple and the parceling of a landscape. Nevertheless, the author does not give way to a confused and gloomy poetry but by recognizing the incommunicable he contemplates and then perceives emptiness in order to exhibit it to us in the purest possible way. Over and above unlimited space, what will therefore be presented is the eternal departure.
Highlights
The several boundlessly shattered pages of “Story” by Edmond Jabès introduce one of his most embittered ideas
thématiques chéries par l'auteur
restreindre à des propositions désunies tout en gardant une certaine structure narrative qui s'associe d'ailleurs à une tendance
Summary
The several boundlessly shattered pages of “Story” by Edmond Jabès introduce one of his most embittered ideas. À toutes les œuvres de l’écrivain d’origine égyptienne, Edmond Jabès, Michel Leiris a préféré Récit, en affirmant que c’était le texte relevant la conscience la plus dégrisée. Ces quelques pages à l’écriture extrêmement morcelée présentent un récit quasi-complet d’échec, celui notamment de raconter une histoire.
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