Abstract
This article engages in a mutual elucidation of works of art constructed in central perspective (both painting and film) and Cartesian philosophy in order to point out a methodological problem in the latter. This problem and its repercussions are found also in the conflict between transcendental and hermeneutic method in phenomenology. This conflict is reflected in the movement of the article itself which alternates between descriptive and interpretative approaches.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
