Raskolnikov on the Way to ‘Holy Russia’: Hermeneutics of Raskolnikov’s Image in F. M. Dostoevsky’s Crime and Punishment

Abstract

The image of Raskolnikov in F. M. Dostoevsky’s novel Crime and Punishment has been widely researched and commented upon. However, suggesting a particular approach to the material — that of hermeneutic linguistics — and focusing on the problem of holiness (two essential principles of this article) provide new results in understanding the content of Raskolnikov’s image, the direction of its development, and the inner plot of the novel’s epilogue. The paper focuses on defining markers of the idea of ‘Holy Russia’ in the image of Rodion Raskolnikov as well as the role of ‘holy’ symbols both in its own development, and, through it, in the novel’s overall plot. Particular attention is paid to intertextual connections of the novel with the New Testament and established prayers, as well as to temporal and topic religious symbols referring to the hero. The paper argues that both the ideals of ‘Holy Russia’ and Dostoevsky’s ‘Russian idea’ play a significant role in the development of the plot and the hero’s character. It also analyzes the connection of the hero’s inner journey (his spiritual and moral fall and his later rebirth) with embodying the ‘Russian idea’ in the image of an intellectual in the novel. The hermeneutic research demonstrates that Dostoevsky, bringing his hero through the abyss of ‘theoretical’ temptation, inner schism, and jail, discovers in him those powers that can become sources of transformation for his soul and his life, putting him on the way to holiness. The image of Raskolnikov appears to be charged with meanings connected with the ideals of ‘Holy Russia’ both in terms of individual transformation (the way to holiness) and in terms of social unity (the way to self-sacrificial service, mutual Christian love, and the common good).