Abstract

Auditory scene analysis depends on knowledge of natural sound structure, but little is known about how source-specific structures might be learned and applied. We explored whether listeners internalize “schemas”—the abstract structure shared by different occurrences of the same type of sound source—during cocktail-party listening. We measured the ability to detect one of two concurrent “melodies” that did not differ in mean pitch (nor in timbre), ensuring that only the structure of these melodies over time could be used to distinguish them. Target melodies were cued by presenting them in isolation before each mixture, transposed to avoid exact repetition. The task was to determine if the cued melody was present in the subsequent mixture. Listeners performed above chance despite transposition between cue and target. Particular melodic schemas could recur across a subset of trials within a block, as well as across blocks separated by epochs in which the schema was absent. Recurrence across trials within a block facilitated target detection, and the advantage grew over the experiment despite intervening blocks, suggestive of learning. The results indicate that rapid and persistent internalization of source schemas can promote accurate perceptual organization of sound sources that recur intermittently in the auditory environment.

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