Abstract
Drawing from the metaphor of excursion and return and Sino-Japanese notions of the Way, five way-stations are visited: architecture as a model for Bildung; design as an aimless wandering allowing the spontaneous appearance of ideas; the study of architectural history as a way of understanding prejudice; the encounter with alien traditions as the most provocative means of transforming prejudice; and metaphor as a means for this transformation.1
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