Ran’s Diary : Sexually Suggestive Protest and Counterpublic Discourse Staged by Asian Others in South Korea

Abstract

Abstract: This article examines how theatres of migration in the professional sphere intervene in contemporary social issues around Asian immigrants in multicultural South Korea. Of those from other Asian countries , Ranui ilgi (Ran’s Diary, 2011) concerns female marriage migrants, confronting its non-migrant South Korean spectators with an uncomfortable and neglected reality of the migrant women’s cross-border marriages with ethnic South Korean men. Along with a specific focus on the group of marginalized Asian others in the country, the sexually suggestive mise-en-scène particularly calls the attention of the audience. In this article, I first offer a brief overview of the societal backgrounds and effects of an unprecedented influx of Asian brides into South Korea, a country with a long-held fetish for ethnic homogeneity. Then, I analyze Ran’s Diary in terms of the play’s critical perspective on inter-Asian marriages, its strategic focus on and staging of a sexually victimized female Asian migrant character, and the authentic as well as culturally conscious representation of lived experiences of those immigrants in the host country. In my conclusion, I argue that this sexually-charged performance functions as a protest against the dominant public, generating a counterpublic discourse .