Abstract
This short article interprets Henry James’s Italian Hours (1909) as a series of insights into a phenomenology of seeing, treating the latter as both opening towards the surrounding reality and an act of self-consciousness. James’s phenomenological awareness is informed by his sense of joy, which turns out to be something more than mere delight with beautiful sights and scenes – it is in fact a joy of discovering the world’s freshness and novelty.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
