Abstract
This paper offers a politico-religious reading of Manfred that demonstrates how the Byronic hero is shown as the symbol of rebellion against the tyrannical government and its institutions. The paper traces the movement from symbolic presentation to Byron’s rejection of resigning to supernatural powers. Byron accused his own country-men of arraying their strength in the side of tyranny and stated that freedom could be possible when the powerful obstacles, thrones and courts were removed. Ultimately the paper aims at exploring all possible political meanings of the play in the light of Byron’s political and religious beliefs.
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