Abstract

Two recently built vihuelas, quasi-replicas of the Spanish Renaissance guitar, one with a small body and one sound hole and one with a large body with five sound holes, together with a classical guitar are investigated. Frequency dependent radiation strengths are measured using a 128 microphone array, back-propagating the frequency dependent sound field upon the body surface. All three instruments have a strong sound hole radiation within the low frequency range. Here the five tone holes vihuela has a much wider frequency region of strong sound hole radiation up to about 500 Hz, whereas the single hole instruments only have strong sound hole radiations up to about 300 Hz due to the enlarged radiation area of the sound holes. The strong broadband radiation of the five sound hole vihuela up to about 500 Hz is also caused by the sound hole phases, showing very consistent in-phase relations up to this frequency range. Also the radiation strength of the sound holes placed nearer to the center of the sound box are much stronger than those near the ribs, pointing to a strong position dependency of sound hole to radiation strength. The Helmholtz resonance frequency of the five sound hole vihuela is influenced by this difference in radiation strength but not by the rosettas, which only have a slight effect on the Helmholtz frequency.

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