Abstract
“The essay delves into Taiwan's queer history through the lens of two pivotal events: the "Rose Boy" Incident and the publication of the groundbreaking novel, Crystal Boys. It explores the interconnectedness of these events and their lasting impact on Taiwanese society's perception of LGBT individuals. Crystal Boys, authored by Pai Hsien-yung in the repressive era of martial law, dared to depict the lives of gay men in Taipei's New Park, challenging societal norms and censorship. The New Park emerged as both a refuge and a perilous space for the gay community, where they formed bonds amidst societal oppression. The essay also discusses the subsequent activism sparked by Crystal Boys, leading to milestones like the legalization of same-sex marriage in Taiwan. Conversely, the tragic death of Ye Yongzhi, dubbed the "Rose Boy," exposed the harsh realities faced by LGBT youth in Taiwan, igniting societal outrage and calls for change. Through literary analysis and historical context, the essay illustrates how art and activism intersect to shape queer narratives and propel the fight for equality in Taiwan and beyond.”.
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