Abstract
This study focuses on the Racist Theory in Amiri Baraka’s Dutchman, a play that revealed how racial prejudice and fear impacted people's lifestyles in 1964. A modern stage and racial thinking interact to initialise the understanding of races and turn towards individual experiences. Baraka’s Dutchman focuses on the culture within white supremacy that has historically marginalised all other races by representing possible outcomes. This paper studies the work of Lula, who destroys the clay to symbolise the savage destruction of the white man for the cultural identity of black people. Furthermore, it displays the continuation of racial violence that has been rampant since the 1960s. This study registers racial thinking and modern stage interactions, and in doing so, the researcher has adopted a secondary qualitative data collection method. The entire process of this study has been conducted based on information collected from existing resources. Thus, this study is especially applicable for readers since it connects with prejudice and fear. Analysing several types of elements in racial prejudice based on Racist Theory, the result helps to provide a transparent viewpoint.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.