Abstract
Rachel Moore’s Performing Propaganda: Musical Life and Culture in Paris during the First World War offers a persuasive and detailed account of how wartime propaganda shaped French musical institutions in Paris between 1914 and 1918. Through extensive archival research, read through the lens of theories and histories of propaganda, Moore sheds new light on how concert series at home and abroad, major musical institutions like the Opera and the Societe des Concerts, and French musical publishin...
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