QUOTES FROM THE FABLES OF IVAN ANDREEVICH KRYLOV IN RUSSIAN SPEECH (The 250-th anniversary of the birth)

Abstract

The article is devoted to some questions of functioning of quotation units from I.A. Krylov’s fables (actually quotations, literary images, winged expressions and phraseological units created on their basis). The author's word is considered from the standpoint of intertext dynamics, taking into account the complex problems of intertext derivation associated with variation, normative mobility, frequency, segmentation, associative activity, polydiscursivity, diversity and inconsistency of illustrative contexts, types of intertextile contaminations on the background of the phraseological contamination. Intertexual energy of the fable, within the terms of the Russian verbal culture, directed from the source of morality as the foundation works to engage in explicit or implicit citation of the fragments, correlated with the narrative escorts, consequential historical events and the development of a variety of structuralsemantic paradigms and based on a specific organization of the units used. Description of intertext units can be focused on two ways of accounting and processing of material. First, it is an appeal to the “nuclear” part of the circle of verbal culture. The number of works of an author is usually relatively small, but a large number of authors themselves. In the dictionaries of the winged expressions as a whole is represented by about 50-60 dictionary entries of Krylov. Secondly, there may be publications on the intertext potential of one author, when taken into account almost all or almost everything that goes beyond the source text, the number of dictionary entries increases significantly, which allows to determine the status of the author’s idioms in the intertext picture of the world. In this case, it becomes possible to understand the citation in the broadest sense as the use of the author’s word outside the author’s text. The revised citation heterogeneous unity: idioms, actual quotes, often playing off of segments of these unities, literary images. Intertext dynamics is a functional condition for the life of this material. It is primarily numerous changes frazeological modeling, segmentation, dispersion, associative movement. It is significant that the past two centuries have shown consistent continuity and significant typological similarity in a series of endless uses of the fabled word Krylov.