Quixotic Legacy: The Female Quixote and the Professional Woman Writer

Jodi L. Wyett

doi:10.21825/aj.v4i1.1108

Abstract

This essay argues that Charlotte Lennox’s The Female Quixote or, The Adventures of Arabella (1752) served as a fulcrum in eighteenth-century literary history by providing a figuration of the female quixote for subsequent women novelists who were keen to court absorbed readers on the one hand while countering stereotypes about women's critical failings on the other. The figure of the female quixote proves to be a significant mark of literary professionalism by reifying the spectre of the professional writer’s need for absorbed readers and dramatizing the occasion by which the woman writer demonstrates her own authority, paradoxically allowing both woman novel reader and woman novel writer to lay claim to intellectual authority. Ultimately, the main character Arabella's fictional model potentially echoes more actual eighteenth-century women’s experiences than her adventures at first suggest: the female quixote emerges as less a social outcast or a freak than a figure for women’s commonality, especially their intellectual and ethical ambitions in a world inimical to their interests.

Highlights

After the publication of Charlotte Lennox’s The Female Quixote, or The Adventures of Arabella in March 1752, the trope of the overly absorbed woman reader who misconstrues her reality via the conventions of prose fiction featured in many novels until the end of the eighteenth century and beyond
Dramatizing the occasion by which the woman writer demonstrates her own authority, the figure of the female quixote paradoxically became the means by which both woman novel reader and woman novel writer could lay claim to intellectual authority
The deployment of the female quixote proves to be a significant mark of literary professionalism

Summary

Introduction

After the publication of Charlotte Lennox’s The Female Quixote, or The Adventures of Arabella in March 1752, the trope of the overly absorbed woman reader who misconstrues her reality via the conventions of prose fiction featured in many novels until the end of the eighteenth century and beyond.

Results

Conclusion