Queering the Postcolonial Auto/biography: Doubleness and Unspeakability in J. M. Coetzee’s Boyhood and Jamaica Kincaid’s My Brother

Abstract

Examining representations of queer subjectivities as minor subjectivities, this essay compares J. M. Coetzee’s Boyhood and Jamaica Kincaid’s My Brother to investigate the emergence of queer postcolonial auto/biography in the late 1990s. The two texts use a similar hybridized form (a blurring of autobiography and third-person biography) to represent marginalized queer subjectivities in the postcolonial contexts of South Africa and Antigua, respectively. In doing so, they redefine the notion of the minor as an anti-colonial poetics and a non-normative lived experience. Both narratives, published in the same year (1997) and composed in the midst of the HIV/AIDS pandemic and after the end of Apartheid, engage with related themes of doubleness, secrecy, and unspeakability to reveal the double consciousness of queer figures silenced and rendered minor as a result of internalized shame through the taboo on non-heteronormative desires. This essay analyses the intersections between postcolonial and queer dimensions of minor subjectivities in order to understand how the minor position of the queer subject in postcolonial societies is pluralized through strikingly similar literary strategies. Coetzee and Kincaid offer new possibilities for world literature through the publication of queer postcolonial auto/biographies which celebrate, facilitate, and complicate the plurality of minor identities and narrative viewpoints – especially the minor subjectivities and poetics surrounding queer postcolonial lives.