Queer Whiteness, the Chicana/o/x Family, and El Malinche in Quinceañera

Abstract

The Journal of Popular CultureEarly View Original Article Queer Whiteness, the Chicana/o/x Family, and El Malinche in Quinceañera Frank García, Corresponding Author Frank García [email protected] Search for more papers by this author Frank García, Corresponding Author Frank García [email protected] Search for more papers by this author First published: 22 June 2023 https://doi.org/10.1111/jpcu.13187Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Agathangelou, Anna et al. “Intimate Investments: Homonormativity, Global Lockdown, and the Seduction of Empire.” Radical History Review, vol. 100, 2008, pp. 120- 143. Alarcón, Norma. “ Chicana's Feminist Literature: A Re-Vision Through Malintzin/or Malintzin: Putting Flesh Back on the Object.” This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria Anzaldúa, Kitchen Table: Woman of Color Press, 1981, pp. 202- 211. Alcalá, Rita Cano. “From Chingada to Chingona: La Malinche Redefined Or, A Long Line of Hermanas.” Aztlán: A Journal of Chicano Studies, vol. 26, no. 2, 2001, pp. 33- 61. Alcalde, M. Cristina. “What It Means to be a Man?: Violence and Homophobia in Latino Masculinities On and Off Screen.” The Journal of Popular Culture, vol. 47, no. 3, 2014, pp. 537- 553. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. 4th ed., Aunt Lute Books, 1987. Barrera, Mario. Race and Class in the Southwest: A Theory of Racial Inequality. U of Notre Dame, 1979. Edelman, Lee. No Future: Queer Theory and the Death Drive. Duke UP, 2004. El Abuelo. Directed by Dino Dinco, Frameline, 2008. Espinosa, Aurelio. “Home Alters and the Virgin of Guadalupe in Quinceañera: Historical and Critical Perspectives.” Journal of Religion and Popular Culture, vol. 21, no. 1, 2009, pp. 2. García, Frank. “Entre Maricones y Locos: Disidentifications, Counterpublics, and Dino Dinco's Homeboy.” MELUS: Multi-Ethnic Literature of the United States, vol. 44, no. 1, 2019, pp. 132- 159. García, Frank. “Queering the Racial Contract: The Exiled Homeboy and Geographic Orientation in La Mission.” Quarterly Review of Film and Video, vol. 39, no. 5, 2022, pp. 1158- 1181. González, Bill Johnson. “The Limits of Desire: On the Downlow and Queer Chicago Film.” GLQ: A Journal of Lesbian and Gay Studies, vol. 20, no. 1-2, 2014, pp. 13- 39. hooks, bell. Black Looks: Race and Representation. Routledge, ProQuest Ebook Central, 2014. Homeboy. Directed by Dino Dinco, Alphadogs, 2011. La Mission. Directed by Peter Bratt, Global Cinema Distribution, 2009. López, Sonia A. “ The Role of the Chicana within the Student Movement.” Essays on La Mujer, edited by Rosaura Sánchez, UCLA Chicanos Studies Center, 1977, pp. 16- 29. McNelis, Tim. US Youth Films and Popular Music: Identity, Genre, and Musical Agency. Routledge, 2017. Moonlight. Directed by Barry Jenkins, A24, 2016. Moraga, Cherríe. Loving in the War Years: lo que nunca pasó por sus labios. South End P, 1983. Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York UP, 2009. Muñoz, José Esteban. “Dead White: Notes on the Whiteness of the New Queer Cinema.” GLQ: A Journal of Lesbian and Gay Studies, vol. 4, no. 1, 1998, pp. 127- 138. On the Downlow. Directed by Abigail Child, Childworks Inc., 2007. On the Downlow. Directed by Tadeo García, Iconoclast Films, 2004. Peréz, Hiram. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire. New York UP, 2015. Quinceañera. Directed by Richard Glatzer and Wash Westmoreland, Sony Pictures Classics, 2006. Rich, B. Ruby. New Queer Cinema: The Director's Cut. Duke UP, 2013. Rodríguez, Richard T. “ Impossible Mission: The Queer Geographies of Peter Bratt's La Mission.” Latinx Ciné in the Twenty-First Century, edited by Frederick Luis Aldama, University of Arizona P, 2019, pp. 450- 460. Rodríguez, Richard T.. “Queering the Homeboy Aesthetic.” Aztlán: A Journal of Chicano Studies, vol. 31, no. 2, 2006, pp. 127- 137. Stallings, L. H. “Am I a Faggot?.” GLQ: A Journal of Lesbian and Gay Studies vol. 25, no. 2, 2019, pp. 342- 351. Tijerina, Reies López. They Called Me “King Tiger”: My Struggle for the Land and Our Rights. Translated by José Angel Gutiérrez, Arte Público, 2000. Early ViewOnline Version of Record before inclusion in an issue ReferencesRelatedInformation