Abstract
“Queer Politics & Positionalities in Sonic Art” series editor Charles Eppley speaks with Michael Foster and Richard Kamerman of Queer Trash, a curatorial platform based in New York City that features experimental art, music, and performance by LGBTQ2S+ artists. They discuss the concepts of queer sound and listening, methods of improvisation, queer identity and expression, tokenization and exploitation, DIY culture, and the limits of arts funding for queer sonic artists.
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