Queer resolutions: 9/11 and Muslim masculinities in New York

Abstract

This article examines how the Bollywood film New York interrupts some of the dominant gendered and sexualized fictions about 9/11 in US public discourse and by extension, in Indian cinematic and popular discourse about Muslims and citizenship. As several transnational feminist scholars have observed, the monstrously deviant Muslim terrorist, and the heterosexual drama of nationalist domesticity were two key tropes circulated in media discourse following 9/11. My reading explores how New York takes on both these tropes as it works to reintegrate Muslim male subjectivities into the national imaginary. In New York, these dominant 9/11 fictions are worked into the central heterosexual love triangle, which is cinematically consolidated in the shadows of the twin towers, and then swiftly undone by 9/11. I focus on this erotic triangle in order to examine how, why, and to what effect the film provides an unusually ‘queer’ resolution to the love triangle, going against the anticipated heterosexual resolution most conventional to the formula. Can this be read a resolution that resists the incitement to heteronormativity that followed 9/11?