Abstract

ABSTRACTQueer approaches to Islam take a multitude of forms, and reflect queer lived experiences in a variety of ways. This article focuses on one particular form of queer approach to an aspect of the Islamic tradition, examining Khaled Abou El Fadl’s approach to the Shari’ah, focusing on his particular methodology of de-legitimization, re-presentation, and judgment according to the ethical standard of beauty. In doing so, its retrieval of internally queer aspects of the tradition come to light, including the focus on the nature of certainty within the Shari’ah as problematic, a strong emphasis on procedural non-finality, and the importance of the contextual nature of legal outcomes. Each of these aspects of the methodology have an impact on the lived experiences of Muslims within a community in which the law holds significant legal and social authority. In queering approaches to the Shari’ah, Abou El Fadl’s methodology simultaneously opens up space for a queering of contemporary norms of Muslim identity, society, and performance.

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