Abstract
This article examines Sarah Waters' novel, Affinity, in the light of Victorian discourses concerning the nature of criminal women, spiritualism and lesbianism. Placing Waters' novel into the context of these discourses, the essay highlights the parallels between late Victorian and late-twentieth-century lesbianism, particularly in the ways in which Waters herself draws parallels between her central protagonist and diarist, Margaret Prior, and her own role as a contemporary lesbian author.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
