Abstract

Hong Kong gay men have always been subordinated under heterosexism and the disciplinary notion of hegemonic masculinity in the straight world and hegemonic cult gay masculinity in the gay world. Dominance, however, is not securely held, but must constantly be won. Under the postcolonial administration, Hong Kong gay men are not enthusiastic about the political sphere of life; rather, they have tended to shift from institutional politics to cultural politics. Cultural space has become the primary location for the production of texts that disrupt the norm of hegemonic heterosexuality under the commodity logic of capitalism. Moreover, using their own forms of embodied cultural capital, Hong Kong gay men tend to take the path of micro-resistance in combating societal domination. This can be seen from their engagement in public sex and in their involvement in the commercial gay scene. Based on the ‘voices’ of 34 Hong Kong gay men, this article argues that Hong Kong gay men negotiate a gay identity that is sensitive and flexible to different institutional arenas; this allows them to strive for sexual freedom and create their own space for social interaction and sexual desire.

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