Abstract
Queen Victoria was enthusiastically taken up by the shows, exhibitions, and lectures that blossomed in the nineteenth century. This collaborative article demonstrates the way Victoria’s life and reign was embraced by the moving-image and projected-image formats that proliferated during the period, particularly touring panoramas, magic lantern shows, and early film. Victoria and Albert were themselves intermittent visitors to these new pictorial shows in London, while, across both nation and empire, local communities were able to participate in key royal events thanks to their replaying and broadcasting by media such as the magic lantern and early film.
Highlights
Queen Victoria was enthusiastically taken up by the shows, exhibitions, and lectures that blossomed in the nineteenth century
As part of the bicentenary celebrations of Victoria’s birth at Kensington Palace in 2018, two unique shows were given to provide audiences with insights into the way that the Queen was pictured by the magic lantern and early film, the two dominant forms of popular exhibition in the final decades of the nineteenth century
The fashioning of Victoria through different forms of moving and projected pictures certainly did not end with her death and funeral
Summary
Queen Victoria was enthusiastically taken up by the shows, exhibitions, and lectures that blossomed in the nineteenth century. This collaborative article demonstrates the way Victoria’s life and reign was embraced by the moving-image and projected-image formats that proliferated during the period, touring panoramas, magic lantern shows, and early film. Victoria and Albert were themselves intermittent visitors to these new pictorial shows in London, while, across both nation and empire, local communities were able to participate in key royal events thanks to their replaying and broadcasting by media such as the magic lantern and early film
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