Abstract
After Prince Albert’s death in 1861, Queen Victoria began an extended period of mourning that remains indelibly linked to perceptions of her identity and visual representation. This article firstly addresses the place of photography in the construction of family memory and examines how Victoria used photography to articulate her private grief and to remember Albert in the context of both her immediate and extended family. Secondly, I seek to establish the ways in which this private image is made public and is circulated by Victoria to generate popular empathy and support for political ends. Lastly, I touch on the global reach of this, and question how mourning and widowhood are implicated in international royal networks and imperial power. Thus, the article reveals the photograph of the mourning widow as more than just an illustration of Victoria and her grief; rather, it shows how the medium shapes that grief and makes it useful for monarchy and empire.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: 19: Interdisciplinary Studies in the Long Nineteenth Century
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
