Abstract
Qiu Zhijie, a contemporary artist living and working in China and at the same time a participant of the global art world and its discourses, conducts historical research on multiple layers. His works, this paper argues, heighten the awareness of one's situatedness in certain constructions of historical narratives when practising and critiquing contemporary art. Moreover, they raise the consciousness of how one's relationship to the past is constituted through specific dispositives of artistic media as well as by certain epistemological structures.
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